Tag Archives: Ben Leib

Constellations – “Turn into the Skid”

Constellations - Banner 2

“Turn into the Skid” is the story of a young manfailing to heed that sage piece of wisdom.  When you’re veering out of control it’s counter-intuitive to turn into the skid, but que sera, right?  This story also happens to be about the fleetingness of objects.

While the piece is not available online, you can order Volume 2 of Constellations, titled Upheaval, from Createspace for the totally reasonable price of $10.  Just click this link to be redirected to the order page.

Constellations - Cover - artsy copy

About Constellations’ editor:

Nina Rubinstein Alonso, editor of Constellations, has published in Ploughshares, The New Yorker, Sumac, Avatar, Women-Poems, U. Mass. Review, and New Boston Review, among other places, and her first book This Body was printed by Godine Press.

She taught English literature at Brandeis University and U. Mass., Boston, while continuing training in ballet and exploring modern dance.  (Crazy enough, and in my opinion her greatest achievement, is that she might – totally incidentally – be related to me.  The Petaluma Jewish community was somewhat incestual not too many generations back.)

Saturated with academia, she taught at Boston Ballet for eleven years, and performed in their Nutcracker, until sidelined by injuries. She makes her living teaching at Fresh Pond Ballet in Cambridge, MA. She says, “Now is the time for fresh voices in poetry and fiction. I’m looking for a new constellation.”

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Santa Clara Review – “My House of Cards”

Read the story here.

“My House of Cards.”  It is about terrible roommates – including the narrator – and it was published in the Spring 2012 issue of  The Santa Clara Review . an accomplishment that I’m proud of.  Having spent most of my life in Northern California, and having lived for a couple of years in San Jose, Santa Clara Review felt like a home coming.  The publication is professional looking, their layout is great, the featured artwork is beautiful, and I’m published beside a number of talented authors and poets.

For the online version of the magazine, click here.

For the free eReader download, click here.

For the free iPad edition, click here.

You can also order yourself a physical copy of this magazine – just get in touch with the editors.  Back issues are $7.50.  Ask for Spring 2012.

Mail:
Santa Clara Review
500 El Camino Real, Box 3212
Santa Clara, CA 95053

Phone:
(408) 554 – 4484

Email:
santaclarareview@gmail.com

Santa Clara Review:

Santa Clara Review is a student-edited literary magazine which publishes poetry, fiction, non-fiction, visual art, and music. The magazine is published biannually in February and May, drawing on submissions from Santa Clara University students, faculty, and staff, as well as from writers around the nation and globe. The Review is entirely student run by undergraduate students who are actively enrolled. The Review promotes the literary arts in several spheres: the student and alumni writing community within Santa Clara University, the academic literary community, and the national community of writers outside of SCU.

The Review is committed to the development of student literary talent, both in editorial and creative writing skills. The Review provides Santa Clara students an opportunity to gain knowledge in the practice of contemporary writing and criticism, and creates a forum for faculty, students, and alumni to express their creative energy.

History and Vision:

Founded in 1869, Santa Clara Review–formerly known as The Owl and The Redwood–is one of the oldest literary publications in the Western U.S. Throughout its duration the publication has represented Santa Clara University’s commitment to the humanities, a tenant of Jesuit education. Because the Review shares in Santa Clara University’s commitment to the humanities, the Review will accept only the highest quality material for publication, material which echoes Santa Clara University’s dedication to the pursuit of truth, honesty, and social responsibility within the literary arts.

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Retort Magazine – “The Drive Home”

Retort is defunct, but read the short story here.

The Drive Home” is about a man somewhat confused in his spirituality.  It’s a weird little piece, the work of a disturbed man, but I love it, and I knew the folks at Retort would love it too, so I sent it their way.  To my delight, they accepted it. Unfortunately, Retort has since folded.

Retort Magazine is dedicated to the publication and presentation of new innovative, experimental cutting edge art + text in all disciplines. Retort Magazine publishes both fiction and non fiction. Retort has published some of the worlds best known artists and writers but is also a platform for new and emerging writers and artists. We favor the cutting edge over the blunt of the handle, the avant-garde over backward walking, the delinquent imagination over the hammered economic mind. We publish whenever something interesting arrives in the inbox.

HISTORY

Founded in the laundry of an old queenslander behind a gas station in Brisbane in 2001 by Australian poet/writer Brentley Frazer RETORT was originally conceived as a spinoff to a live poetry/music/art/performance event called The Vision Area. The Vision Area was a monthly ‘culture jam’ started by Brentley and poet Adam Pettet and hosted by Ric’s Bar in Fortitude Valley, Brisbane, Australia. The Vision Area ran from 1998 – 2000 and only ended when the co-ordinators felt they had drained the talent pool.

In the beginning Retort was published as a bi-monthly online magazine. In 2003 after receiving a development grant Retort moved to an experimental ‘live’ format with new content being published whenever something cool arrived in the submissions inbox. After the experiment was deemed impossible by the exhausted editor (without the budget of at the very least a mid-sized newspaper in a large city), Retort resumed publishing on a semi-regular basis and has continued, throughout a whole decade, reaching millions of individual readers.

Retort is now based wherever the Editor is – which is usually somewhere on planet Earth.

Retort Magazine is archived on site and since 2003 also by The National Library of Australia as part of the Pandora Project which aims to permanently preserve electronic publications based on their national and cultural significance.

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Sadly Retort Magazine has closed down.  In the words of the magazine’s Editor, Brentley Frazer:

12.5 years. Enjoyed a huge readership in the 00′s. Broke some ground (and a bunch of rules). Had a good time mostly. Would have loved to grow it into something huge, like an alternative to the old school greats that have become a parody of their former glorious selves. Retort stayed truly independent, never even applied for a government grant. I refuse to read government endorsed literature or view government endorsed art. Rest assured, the only propaganda you were exposed to while reading Retort was my personal agenda to champion the creative spirit of my fellow humans.

Have a nice life.

best

Brentley

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Grey Sparrow – “Packing the Wound”

Grey Sparrow is defunct, but you can read the story here.

“Packing the Wound” was published in Grey Sparrow Journal and is about the trials and tribulations of post surgery home-care. Frankly, it’s disgusting, but more than being about the horrible things that a human body does to a person, this is a story of the love it takes for someone to care for such a human body. Anyways, despite the wretchedness of the content, this was an emotional story for me, and I think that it found a great home in Grey Sparrow. Unfortunately, Grey Sparrow has since ceased publication.

(Incidentally, David Sedaris wrote a similar piece, “Old Faithful.” I only discovered this after the fact, while reading When You Are Engulfed In Flames.)  .

 

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Inwood Indiana – “Pyromaniacs, Bored and Young”

Inwood Indiana is defunct, read the story here.

I have another story out titled “Pyromaniacs, Bored and Young.”  Though the publication is defunct, you can still order a copy and check out page 335 of Inwood Indiana’s Summer 2012 issue, Harvest Time, then you can find out who I really am.

Inwood Indiana - Collage copy

Inwood Indiana Press is the smallest press in the world. They are officially located at latitude 41.318 and longitude -86.203 but they don’t have an office so you can’t find them. Inwood is, by census data, “a populated place,” which makes it less than a town and more than an empty lot.

Strange things happen in Inwood Indiana. Things come up missing, people see things and the old lady on the corner seemed to have secrets. This publication is the place to tell your stories, or shroud them in prose. We are interested in all things unusual. We are especially interested in poems and stories set in small towns.

Note from the editor: My name is Glenn Lyvers and I am the editor of Poetry Quarterly magazine. Inwood Indiana is a private publication that I produce personally. There is no set schedule for publication, and submissions are always open.

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Picayune Magazine – “Pyromaniacs, Bored and Young”

Picayune is defunct, but read the story here.


“Pyromaniacs, Bored and Young” is a touching little tale about a group of teenagers who like to set things on fire. It is the second story I’ve published under this title.

Picayune Magazine is a lovely little publication based at New Mexico Highlands University.  They produce a beautiful magazine over there, but unfortunately their limited operations budget ($500 per issue) precludes printing extra issues.  They make a few for staff, one each for contributors, and that is it. 

Picayune magazine is now defunct.



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Perceptions – “Nineteenth and Valencia”

“Nineteenth and Valencia” is a rumination in a hip café about becoming an utter loser.  It’s a funny piece, I adore it, and you should read it.  More importantly, the magazine, “Perceptions,” is worthy of purchase regardless of my presence.  Not only was my story featured alongside the work of some genuinely talented authors and artists, the book itself is an art piece – hands down the most beautiful periodical that I’ve been printed in.  Issues are $15 a copy. The story was published in the 2012 issue. Query Jonathan Morrow at jonathan.morrow@mhcc.edu for more information.

Mt. Hood Community College

Humanities Division c\o Megan Jones

26000 SE Stark St, Gresham, OR 97080.

Ask for the 2011-2012 issue.

Perceptions: A Magazine of the Arts has appeared annually since 1969. The magazine is produced by students who register for WR247, The Literary Publication, a three term class.

In the fall, students solicit submissions from the campus community and the outside community. After submissions are received, students read and choose which works would best reflect their chosen vision of the magazine. Working with a student from the graphic design program and the printing technology program, the design, paper and over-all look of the magazine is decided. The students continue to work as a team for the next two terms. During the winter term students work with the printing technology class who take the graphic designer’s plans and implement them. The contributors are contacted and invited to read their works at a reception that the students plan for early spring term. Awards are given for the best poem, best prose and best artwork, and the students choose these award winning works.

Although the staff is small, Perceptions reaches other programs on campus, involving other students not inclined to literature and the arts, to be exposed and participate in literary publication. The graphic design student is given first hand experience in working as part of a team to produce a design for the magazine. Printing technology has always used Perceptions as a project as part of the second year of the program.

Perceptions - Collage copy - resized

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Spilling Ink Review – “The Last Dignified Transaction”

Spilling Ink Review is defunct, but read the story here.

“The Last Dignified Transaction” is about the rewards inherent in being a university teaching assistant, and then going on to work as a waiter… and then having to serve your former students.

This publication originated in Glasgow. Spilling Ink Review was a quarterly e-journal: “They’re a troupe of professional writers and readers that shares a passion for the written word as well as compassion for new and established writers looking for an innovative platform. Their aim is to create an environment where the unexpected can thrive, where the serious and the humorous can sit comfortably side-by-side, and where we can celebrate both the process and the product of creative writing.”

Spilling Ink Review is now defunct.  

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Digital Americana – “The Best of the Terrible Lies”

Digital Americana is defunct, read the short story here.

“The Best of the Terrible Lies” is a story about a teenager who likes to tell lies. And he chooses to tell them in class. I’m proud to have it appear in the Spring/Summer 2012 issue of Digital Americana. You can still buy a physical copy of this magazine for $20.

Digital Americana Magazine (DAM) is the world’s first literary & culture journal made for tablets. It’s ten parts literary and ten parts culture. If you like to read, why waste your money on other 99¢ magazines or apps when you could already be reading DAM? We love what we do and we hope that you do to.

The issue that my piece appears in is titled Arise.  It is the Spring/Summer issue of Digital and can be purchased in print.

Digital Americana’s website.

Digital Americana’s Blog.

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About Digital Americana:

Digital Americana crosses the literary arts with American culture and a state-of-the-art publishing mindset. Since 2010, it has functioned as an independent & interactive journal of fiction, poetry, nonfiction, art, & criticism. Digital Americana seeks to publish writers and artists that have showcased a unique American sensibility, experience, or theme in their work.

The first version of the Digital Americana Magazine (DAM 1.0) app was accepted into and released amongst the first-round of iPad App Store apps (available on launch-day of the first iPad 4/2010) — earning the distinction of being of the first magazines made for tablet devices, and the first literary magazine made explicitly for the iPad. In April 2011, we completely redesigned the app, adding new features such as in-app purchasing, and began to also offer issues in print (via MagCloud). In May 2012 we became part of Apple’s Newsstand store (DAM 2.0). In early October 2012 we introduced a new interactive “redact” function to our redesigned iPad app (DAM 3.0) with the release of our Fall—2012 Redact issue. With this “redact” toolset readers are able to create erasure poetry instantly from any page of any issue in the app. During this time we also relaunched the design & functionality of our iPhone magazine app, by creating a completely custom vertical layout that enhances the experience of reading an issue, which runs on a device that fits in the palm of your hand. Our Fall—2012 issue was the first issue to be formatted this way.

In all aspects of our mission: of the art, literary content, culture, design, and journalism featured within our pages—our hope for Digital Americana is that it will be seen as the sum of its parts—a uniquely modern and American experience.
Issues are currently released seasonally. Submission guidelines can be found here. Recent news & press can be found here.

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Black Market Review – “The Staging Ground”

Black Market Review is Defunct, but read the story here.

Black Market Review - Collage copyBlack Market Review - Collage copy

“The Staging Ground” was published in Black Market Review, which was published out of Edge Hill University. the story is about bad neighbors (perhaps including the solipsistic narrator) and a feud that place in or around the laundry room.

The Black Market Review was edited exclusively by Creative Writing undergraduate and postgraduate students at Edge Hill University.  Thank you for the opportunity BMR.

Black Market Review operated out of Edge Hill University. 

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