“Ocean Giant” is a single plate printed on Navigational Charts as well as Wanderings Handmade White Deckle Edge Blank Paper. These charts were used in the navigation of the Ocean Giant, SeaCor’s heavy lift ship. A shop press in the engine room of the ship was used as a printing press.
“St. Christopher” used five plates printed onto navigational charts. These charts were used in navigation of Foss tugboats.
St. Christopher is the patron saint of travelers and sailors. He was a giant who offered to carry a child across a rushing river. When, halfway across, he began to struggle under an unbearable weight, the small child, revealed to be Christ, explained that St. Christopher was holding the weight of the world and responsibility for its safe passage as he crossed the river.
$100 To purchase, contact me via instagram DM @joshbarlas or email joshbarlas@gmail.com
“Still Life Of Anniversary Bouquet” is six plates printed onto BFK Rives Printmaking Paper, White, 300 GSM. It was made using a home made printing press. This was a run of 70 prints and they were given away as a gift to guests who attended our wedding.
“The Anchor Radius” used three plates printed onto navigational charts. These charts were used in navigation of Foss tugboats. “Anchor Radius” is a term describing how far an anchored vessel can pivot around a fixed point (the fast anchor).
$75 To purchase, contact me via instagram DM @joshbarlas or email joshbarlas@gmail.com
The greeting card design was based on Tarot imagery and the sacred heart. They are printed on any scraps or appropriately sized cardstock, and more are printed as I need them. I include a greeting card of some sort with all prints that I ship.
“The Age Of Exploration” is five plates printed onto Speedball Arnhem 1618 Printmaking Paper using a homemade printing press. It is based on an image of Ernest Shackleton’s ship, The Endurance, which was shipwrecked in Antarctic ice floe.
“Nicholas Assists The Wayward Mariner, And All Those Aboard” is 8 plates printed onto Speedball Arnhem 1618 Printmaking Paper. It was made using a homemade printing press.
“Not Yet A Breach, But An Expansion” is two plates printed onto expired navigational charts. These charts had been used to navigate aboard Foss tugboats. The paper is high quality, untextured, and is not highly absorbent. This is the first print made using the printing press that my father and I made using a vice press to generate pressure. The title is a reference to John Donne’s poem, “A Valediction: Forbidding Mourning.”
“Daguerreotype” is six plates printed onto either Speedball Arnhem 1618 Printmaking Paper or Canson Edition Paper. The Speedball paper ended up being best suited to the print, as I was still printing by hand, without the use of a mechanical press, and relied on an untextured paper in order to transfer the image smoothly.
“Homage” is made with two blocks on Cosmos Blotting Paper. I used blotting paper because I was still hand printing, and needed an absorbent and untextured paper to account for the pressure I could generate by manually. It was a run I made for my cousin, Barry Nitzberg, in commemoration of his father and grandfather, and their roots in Petaluma.
Sol Nitzberg, my grandmother’s uncle, was a union man in Santa Rosa, California, organized the apple pickers, and was tar and feathered in the streets by local businessmen and the sheriff.